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tywr 13 hours ago [-]
Wow, I didn't really expect to see my project there this morning! I'm normally a simple lurker, but I wanted to say thanks for the kind words about the project.
I know some people might want to modify or tweak the project to their liking. The project is meant to provide a Python sandbox more than just font files, so feel free to fork it or submit a PR if you feel like some glyphs need tweaking! You don't need any external tools to draw/visualize the glyphs.
bayindirh 13 hours ago [-]
The font looks great and has its own character, kudos!
However, it doesn't support all the characters I need, so I can't use it as a terminal font. However, I starred your repo, and will watch it.
Thanks again for the effort, it looks really nice.
GreenWatermelon 11 hours ago [-]
If you're talking about powerline/nerd symbols, have you tried patching it yourself? I did and it worked.
bayindirh 9 hours ago [-]
Unfortunately no, ligatures/nerd fonts/powerline is not in my concerns list. It doesn't support all the characters all my alphabet. This is the showstopper.
Normally, I use Berkeley, but I have a couple of terminal profiles with different fonts which I use if I open 5+ terminals sometimes, to group things. I wondered whether I can use this one of the alternate fonts when things get complicated and crowded.
emsixteen 9 hours ago [-]
Just for clarity, the characters I need are æ/ø/å, and this is only missing the å. A little funny, given the font's called Nordwand :D
Looks really nice though. :)
bayindirh 8 hours ago [-]
For me it's missing ğ, Ğ, ş, Ş, ı and İ. Being a Turkish is interesting sometimes. :)
Melatonic 5 hours ago [-]
Aren't those also used in Polish names or similar ? Always found the regional variation and whatnot super interesting
0rzech 2 hours ago [-]
Polish diacritics are: ą ć ę ł ń ó ś ź ż (uppercase: Ą Ć Ę Ł Ń Ó Ś Ź Ż). They are all separate letters.
By the way, many people think that the Polish alphabet [1] is just English with diacritics, but in reality neither q, nor v, nor x are part of it.
Some languages have interesting variations on S, C, O and Z (there might be more, I'm not a keen linguist). However, the accents are not always the same. I also believe that nobody has "ğ/Ğ", and I'm pretty sure that nobody has "ı/İ" pair.
The second one wreaks havoc on many, many systems. e.g.: It was breaking Kodi completely (https://github.com/xbmc/xbmc/issues/19883#issuecomment-86833...), and I have personally wrapped many software packages with locale change scripts to make them run.
It looks nice. The rounded square, boxy shape has a 70s feel to it. The 'm' bugs me a bit, and the <>, but I'm going to use it in my IDE for a while.
Edit: I'm quite fond of the 'k'.
tasuki 12 hours ago [-]
The `m` is wonderful!
brzz 9 hours ago [-]
Agreed. I think it brings the font so much more character
NewsaHackO 10 hours ago [-]
Yea the m is quite off, I know nothing about fonts but the middle tinge is too long, or it’s too symmetric, the right corner is too sharp or something. And it is repeated so much in the example text that works against it.
cdelsolar 9 hours ago [-]
the k is amazing.
throwaway2046 13 hours ago [-]
Seeing as your font is OFL, you might like to submit it to Google Fonts. That would make it so much easier for devs to include on their webpages and other media.
herrherrmann 13 hours ago [-]
Google Fonts is no longer best practice due to worse performance and privacy (and the questionable ethics of giving stuff to Google for free) compared to self-hosted fonts. So, OP should take this suggestion with a grain of salt.
tgv 13 hours ago [-]
It is a great place to find fonts. I download them and serve them from our own platform, to avoid precisely the privacy issues.
echoangle 13 hours ago [-]
You don’t need to use google fonts as a CDN, but I think a lot of people use google fonts to look for fonts they then download and self-host.
agilek 12 hours ago [-]
Hey, how did you designed the typeface using Python? Asking ad a designer who thought Python is a programming language…
tywr 10 hours ago [-]
When you design a glyph inside any vector graphics software, you are essentially asking a library to execute some commands (eg. place a point there, then place the bézier curve handles there and go to next point etc.). Instead of relying on a software with a UI, I directly called the underlying commands from python for every glyph.
agilek 9 hours ago [-]
Thanks - got this part but did you actually design all letters one by one, or did you just feed it with all the fonts you mentioned as inspiration and YOLO? Can’t imagine how to give feedback to the curves when they live in the code and are not visualised…
tywr 4 hours ago [-]
With this project I have an easy way to visualize individual glyphs on which I'm working. My workflow was to simply edit the glyph code itself, tweaking the formulas or functions and instantly plot it to see how it would look like.
brookst 7 hours ago [-]
If the designed used an LLM, it’s easy to say “no, make the dot on the i slightly elliptical, and round the bottom left corner of the B a tiny bit more”, etc.
I’m doing lots of CAD work this way, where previously I’d be drawing in rhino but not operating from durable product briefs.
katspaugh 9 hours ago [-]
What a beautiful font! Thanks so much for open-sourcing it!
giancarlostoro 2 hours ago [-]
I mean, I opened up the github, and wow, I don't know what it is, but visually, just seeing the GitHub, I can't remember the last time I opened up a font from HN (and they get posted often enough) that really surprised me how nice it looked. There's something really nice about it.
phplovesong 10 hours ago [-]
Im going to give this a go. Im using berkeley mono, so this is up my alley. What colorscheme are you using in the examples? I tend to find that font + colorscheme goes hand in hand.
I know I'm a bit weird, but the internet is full of weird people. It seems strange to me that nobody is interested in bitmap fonts these days.
What I really want is a hand anti-aliased bitmap font which prioritizes sharpness.
eddyg 10 hours ago [-]
You should look at Pragmata Pro⁽¹⁾.
Hand-hinted by Fabrizio:
”More than 9000 characters optimized from 9pt to 48pt to guarantee the best possible readability.”
It is the ultimate “programmer’s font” and well worth the money for something you stare at every day and the next best thing to a bitmap font in today’s “Retina resolution” world.
I don’t prefer bitmap fonts (anymore) because I find subpixel antialiasing beneficial. But I’m with you regarding low-DPI monitors, and the lack of pixel-grid hinting in modern fonts is a pity.
It’s similar to vector icons versus hand-drawn bitmap color icons.
frankling_ 6 hours ago [-]
Below phone-level PPI values, font AA still just looks blurry to me. As I like 'em large though, there are not too many bitmap options (terminus, for example, looks quite brittle at large sizes). I seem to have settled on lode 1.5 from here on a ~110 PPI display: https://github.com/B2HDPI/B2HDPI
7 hours ago [-]
ideasman42 10 hours ago [-]
With you on preferring bitmap fonts.
As I got higher DPI monitors, I found it less hassle to use outline fonts, but I still find them preferable - given the option.
Setting aside the other ways AI is upending society, I absolutely love how we can all share and build on simple artifacts and micro-apps now that can be built entirely from our brain's vision expressed in plain English.
That's a really fun tool.
GreenWatermelon 11 hours ago [-]
It's not just a little different. it's VERY different. it's much more boxy, and letters are closer in height, especially noticeable in uppercase next to lowercase. I would say it's less readable than Jetbrains Mono.
Lower case 'l' even extends above upper case 'G'. it missed with my brain xD
Overall it's really pretty but not a daily driver.
agilek 9 hours ago [-]
It is like saying Arial is the same as Verdana. These fonts are at a glance similar but different.
tasuki 12 hours ago [-]
Eg the `m` is much different: it has the wonderful short middle descender, taken from Ubuntu Mono.
Your comparison says the `m` is 28% different. It's completely different. I don't know what the 28% is supposed to represent (yes, the difference in the area taken, but that's meaningless).
rootlocus 12 hours ago [-]
It's not completely different. Look at other fonts (e.g. comic sans) to see what "completely" means. Norwand is a little wider and the middle line is shorter. 28% seems a fairly accurate measurement. It's almost one third different for just the middle descender.
tasuki 11 hours ago [-]
The shorter middle line gives it a completely different character. Comparing how many pixels are different is meaningless.
I will not voluntarily look at Comic Sans, but thank you for the recommendation!
Subdivide8452 14 hours ago [-]
Love the A/B tool. Must say, I'm a bit more charmed by Nordwand, even though I always use Jetbrains.
dgellow 15 hours ago [-]
Your comparison does show a good amount of differences
adrian_b 12 hours ago [-]
I prefer the JetBrains Mono choice for "3", where JetBrains Mono uses the shape that is recommended for writing a "3" that cannot be easily morphed into another digit, like "8".
claiir 14 hours ago [-]
yea you’re right
dtj1123 15 hours ago [-]
"93% different"
arnvald 13 hours ago [-]
this refers to a single character
dtj1123 10 hours ago [-]
Average is 33% different, which is still a far cry from 99% similar.
shoobiedoo 15 hours ago [-]
Looks nice. I just fell in love with Pragmasevka, a mix of Pragmata Pro and Iosevka. It's pretty much a free Pragmata Pro
Dude, word! I've been in love with Pragmasevka the moment a friend recommended it. Only thing to adjust is the `cell width` of your terminal.
jan_m_savage 14 hours ago [-]
It's a bit like the paid font Berkeley Mono which I've been using for a while now. But I think Nordwand feels softer and nicer, it embodies a message in the font (thus the fluency effect is more potent).
The message may be subjective but it strikes me as: "I, the font, contain important data [due to the sharp curvatures and uniform size of letter elements]. Not sure if others think about fonts in this way.
Berkeley Mono's message to me feels like "I'm just doing my job, don't mind me, focus on your thing".
bayindirh 13 hours ago [-]
> Berkeley Mono's message to me feels like "I'm just doing my job, don't mind me, focus on your thing".
It's a font inspired by older terminals and "no nonsense" hardware of that era. I put its design philosophy as "it's so good that it's invisible". Using it for years now, and it feels natural and neutral.
With Gruvbox dark, it really feels like I'm using an old terminal. Like how I like it.
jan_m_savage 13 hours ago [-]
A lot of things were better in that era. Keyboards for instance. All keyboards were nice, and some companies are charging a lot of money just to give us back what we once had!
The same goes for milk, cheese, fish cans, cars, chocolate, movies, and clothes. And books.
bayindirh 13 hours ago [-]
That's true. However, I got some nice keyboard(s) for myself, and I don't look back much now. Not all are mechanical, but most are.
I'm happy to report that there is still good milk and cheese out there. Fish is a hit and miss. Belgians still make incredible chocolate, but cars, movies and books have gone downhill.
However, while I'm a pen and paper guy heavily, I love my e-reader.
P.S.: Also, trackballs are much better for many tasks than mice. I'm happy they still make them, and make them well.
jan_m_savage 12 hours ago [-]
Well, you got a point there. Certainly some stuff has improved. Computers for instance. And games. :)
Melatonic 5 hours ago [-]
Didn't IBM actually do a lot of font research back in the day ?
bayindirh 4 hours ago [-]
It's possible. They are in interesting company. They have done a lot of research in very interesting subjects.
I dug some with Gemini. Looks like they did. A couple of references I could find:
Slashed zero is listed as an alternative character. Same thing with the lower case m.
silon42 14 hours ago [-]
Someone fork under new name to have these 2 changes as default.
hebetude 2 hours ago [-]
The real magic of this thread is I wrote a script to download all of these fonts, then open each one in my editor so I can see each one in the wild. This is a really great exercise, thanks for opening up my eyes to bitmap fonts which I didn't know about.
voidUpdate 11 hours ago [-]
I get why its for coders, but what makes it "for adventurers"?
dguest 8 hours ago [-]
Didn't you see the mountain?
dguest 3 hours ago [-]
But seriously, it works to market anything:
> A doghnut: a snack for hungry people, and adventurers
duskwuff 4 hours ago [-]
Players of classic roguelike games? ;)
dmtroyer 8 hours ago [-]
came here to ask
JoshTriplett 15 hours ago [-]
I like that this isn't trying to be aggressively narrow like so many other fonts do. I currently use DejaVu Mono because it feels comfortably spaced.
nvarsj 13 hours ago [-]
I love narrow fonts with coding, but it's all preference in the end. Obligatory "PragmataPro is the best" plug.
ainch 13 hours ago [-]
I use MonoLisa for the same reason
kqr 14 hours ago [-]
I have been going back and forth between Luxi Mono (serif monospace fonts are rare but look great on high-resolution monitors) and Hack (like Helvetica, it has virtually no personality and thus fits well everywhere). Everything else I've seen has looked... weird or off somehow. But this is one of the first alternatives I'm entertaining the idea of trying.
My main concern is that the tall glyphs for less than < and greater than > will disambiguate badly with actual Unicode left 〈 and right angle brackets 〉.
Edit: I also realised just now the ASCII hyphen-minus - is quite long with this typeface, which makes it ambiguous with the longer dashes. (It looks freakin' great in pure ASCII environments, though!)
chirayuk 12 hours ago [-]
The hyphen is as wide as the em dash (it's one pixel higher than the em-dash—the only visible difference to my eyes). And the $ symbol doesn't have a line that goes through all the way through. It doesn't work for me for daily use, but looks quite clean and nice overall.
delta_p_delta_x 15 hours ago [-]
The overall shape of the glyphs (excluding lowercase 'l', that is, 'ell', not 'eye') is that of Berkeley Mono.[1]
I don't know about that. In some places ('m', '0') it is closer to Ubuntu Mono.
Geezus_42 14 hours ago [-]
I will never understand paying $50 for a font.
delta_p_delta_x 12 hours ago [-]
> I will never understand paying $50 for a font.
I will never understand people who expect fonts for free. They don't grow on trees. Font development is extremely involved, and I am happy to die on this particular elitist hill: the overwhelming majority of free fonts are absolutely rubbish, including the Liberation family, which is available by default on most Linux distros.
Any font that is free and is still reasonably good is almost certainly designed by a type foundry for a megacorp's branding and user interface (so, things like SF Pro, Segoe UI, Open/Noto Sans, Roboto, JetBrains Mono, IBM Plex, Source Sans, Fira Sans, Inter, etc), or are historic properties of the type foundries themselves, like Garamond, Helvetica, Didot, Minion, etc.
ASCII isn't the only set of characters. Just the LGK (Latin, Greek, Cyrillic) set of glyphs alone including combining marks, diacritics, contextual alternates and ligatures alone amount to several thousand glyphs, each of which has to be individually tuned for different weights, hinted for different display resolutions, hinted for RGB/BGR subpixel rendering, and more.
toyg 8 hours ago [-]
I think it's an investment in ergonomics, like a good chair or a good table. If your job involves staring at text 8 hours a day, $50 for a good font that relaxes your eyes and your brain is pennies well-spent.
This goes double for any contractor who can just write it down as business expense.
oblio 13 hours ago [-]
I think it's called "disposable income" :-)
moecables 6 hours ago [-]
I would love to use it but that lowercase M really bothers me so maybe it would be perfect for me to fork and build my own version of it
I used to be a coder like you, but then I took a Claude to the knee.
jaapz 13 hours ago [-]
we still have to look at a terminal though so a nice monospace font is always welcome
(although I'll keep using Fira)
ThePhysicist 14 hours ago [-]
Are people vibecoding fonts now? Just wondering as I see at least one new font pop up here every day almost...
oblio 14 hours ago [-]
Most likely. People are throwing LLMs at everything and seeing what sticks.
As one YouTuber said: it's the first time we can create (somewhat) coherent, context dependent and new content using something else than other humans.
I can't say I'm too keen on wading through piles of crap, I'm also not keen on the AI bubble and its popping nor on AI's impact on employment, but if we survive all of this, we might end up with a lot of new stuff that could actually be good. 1% of this garbage will be good, but since the entire pile will be so large, that 1% might double or more our options in various fields.
Nice work. I unfortunately wouldn't be able to use it for programming because I find the parenthesis and square bracket look too similar, and it would definitely increase extraneous cognitive load.
lxe 4 hours ago [-]
After Iosevka came out, no other coding font has replaced it for me
nrvn 2 hours ago [-]
Same. But we are probably just a subset of those who prefer narrow fonts. Pragmata Pro and Iosevka are top. The majority of new fonts that have popped up in recent years are all “wide”.
msephton 9 hours ago [-]
I’m not sure I’ll use this (I’m an MD IO Trial user) but I will say that finding a font you can read without thinking is one of the greatest productivity boosts as a developer.
pookieinc 15 hours ago [-]
As someone who isn't super into fonts, this font reminds me a lot of Berkeley Mono, which is an incredible terminal font
alexalx666 14 hours ago [-]
I was super hyped to try their other fonts after getting Berkeley Mono but it seems like "Coming soon." means maybe never
vishnuharidas 14 hours ago [-]
Looks good, please put up on a simple web page with a few code samples and allowing us to edit and try.
Findecanor 12 hours ago [-]
It gives me the vibes of output from 1970's typewriters that my dad used.
Having aging eyes, I wish monospace fonts made 8 and 0 (zero) more different from each other. I notice that I have started to confuse those two glyphs when in small sizes.
b33l 4 hours ago [-]
"stiff and cold", just how I like it!
rbanffy 14 hours ago [-]
It reminds me of an old Olivetti typewriter my aunt gave me to play with.
bronlund 14 hours ago [-]
I love my ligatures, I will not be using a font without them.
rogue_agent 15 hours ago [-]
Funny, I found this font last week on the programming fonts website before it blew up. Was using IoskeleyMono before, and think this is my endgame for now! Amazing readable font.
Qision 9 hours ago [-]
I really did not expect to see Les Drus on Github let alone for a font project! Very nice
traxler 16 hours ago [-]
`Only two minimal ligatures are exposed with "->" and "=>".`
I like that, I usually have ligatures turned off, because I don't like all of them, especially the ones for == or ===. (Otoh I do like != ligatures...) but I do like the arrows.
This is probably were somebody tells me how easy it is to configure singular ligatures on a font and I'll facepalm in embarrassment for never finding out.
antiframe 5 hours ago [-]
It's pretty easy. You can opt into any ligature you like across every mode, and then add extra ones for each programming mode or other mode. For example:
(use-package ligature
:ensure t
:config
;; Enable specific ligatures globally across all modes:
(ligature-set-ligatures 't '("==" "===" "!=" "->" "-->" "=>" "=="))
;; Enable individual ligatures only for specific programming modes:
(ligature-set-ligatures '(python-mode rust-mode c-mode)
'("||" "&&" "::" "->" "=>" "!="))
;; Enable ligatures only for HTML / XML:
(ligature-set-ligatures '(html-mode nxml-mode web-mode)
'("<!--" "-->" "</" "/>"))
;; Enable global ligature mode
(global-ligature-mode t))
maratc 14 hours ago [-]
> I don't like all of them
I hate all of them with a passion, because they look like a glyph (i.e. "something you can erase with a single backspace") but aren't. This confuses me first, and annoys me second. "Just because we could" doesn't mean that we should.
Imagine having to use Backspace twice to erase e.g. Ö or Ñ, or being able to place your cursor halfway inside Æ.
eps 13 hours ago [-]
Amen. Very well put.
sophrosyne42 16 hours ago [-]
You can edit a font and remove the ligatures you dislike using fontforge [1].
never ever tried a different font in my terminal but for some reason I feel compelled to start with this one.
swimmingbrain 15 hours ago [-]
Definitely going to use it in my tools and for my projects, the flexibility offered in the repo looks so great!
Altern4tiveAcc 12 hours ago [-]
Looks good. Suggestion: make parenthesis and brackets more different from each other.
sombragris 10 hours ago [-]
Looks nice, I installed it and will test it to see how it fares.
polyterative 14 hours ago [-]
Nice font, it reminds me the kind of fonts they are using when showing code in movies
bartvk 15 hours ago [-]
If you want something actually more narrow, check out Anka/Coder Narrow.
plastic041 16 hours ago [-]
I like the shape of the lowercase italic 'w'!
Pdf preview doesn't work on GitHub.
tarcon 15 hours ago [-]
Spacing looks good for monospace, but it's too wide for my taste.
Johnny_Bonk 5 hours ago [-]
Looks awesome
Gualdrapo 16 hours ago [-]
It reminds me of OpenBSD's Spleen fonts
matltc 10 hours ago [-]
Looks like jetbrains
gorgoiler 15 hours ago [-]
Brilliant project. The face looks good. The code looks good. It’s nice to see it in Python too. I don’t especially love the language but I have a great fondness for seeing life things codified with a standard API in a typed (or at least, type-able) language. Needing to draw an “A” in something without having to pull in font libraries (that is to say passing a compatible draw context to this project’s LowercaseAGlyph.draw) sounds nice.
bitwize 16 hours ago [-]
Y'know, I didn't think anything was gonna pull me away from Iosevka but... here we are. Gonna give this a real go. Helping its case is that it looks a bit like Berkeley Mono.
villgax 12 hours ago [-]
I actually fricking love this font
piskov 12 hours ago [-]
It is basically jetbrains mono
fithisux 14 hours ago [-]
Is there a font manager program for Windows?
I see repeated posts on various fonts these days and I would like to try them.
Is manual installation the only option?
theandrewbailey 8 hours ago [-]
Unless there's a test page with a webfont version, no.
coolguy4 2 days ago [-]
Very nice.
nelsonfigueroa 15 hours ago [-]
While this is nice, I'm gonna take the opportunity to plug Commit Mono because it's my favorite monospace font https://commitmono.com/.
dancek 14 hours ago [-]
Thanks for mentioning it! First time I heard about Commit Mono. The first paragraph already had me wondering how a monospace font can read this well.
Turns out it has smart kerning, ie. character positions are subtly adjusted to compensate for different character widths. For example, i is narrow and m is wide. That causes words like "commit" to look bad in standard monospace fonts. The m's in the middle are very densely spaced and there are wide gaps around the i.
I'll be testing Commit Mono in my editors. Maybe it will even make me switch SilverBullet back to a monospace config.
warent 14 hours ago [-]
Wow this is highly legible, my eyes and brain really like this. I think I’ll start using it actually.
achairapart 13 hours ago [-]
I don't know if there is some sarcasm here. I was intrigued by the "smart kerning" feature mentioned but with both that very low contrast ratio and the small text size, I can't really see a thing on that website.
warent 1 hours ago [-]
No sarcasm here haha, I see what you mean though now that I look at it
jerry_tk 12 hours ago [-]
Press or click "C" for high contrast and "+" for zoom.
I know some people might want to modify or tweak the project to their liking. The project is meant to provide a Python sandbox more than just font files, so feel free to fork it or submit a PR if you feel like some glyphs need tweaking! You don't need any external tools to draw/visualize the glyphs.
However, it doesn't support all the characters I need, so I can't use it as a terminal font. However, I starred your repo, and will watch it.
Thanks again for the effort, it looks really nice.
Normally, I use Berkeley, but I have a couple of terminal profiles with different fonts which I use if I open 5+ terminals sometimes, to group things. I wondered whether I can use this one of the alternate fonts when things get complicated and crowded.
Looks really nice though. :)
By the way, many people think that the Polish alphabet [1] is just English with diacritics, but in reality neither q, nor v, nor x are part of it.
[1] https://en.wikipedia.org/wiki/Polish_alphabet
The second one wreaks havoc on many, many systems. e.g.: It was breaking Kodi completely (https://github.com/xbmc/xbmc/issues/19883#issuecomment-86833...), and I have personally wrapped many software packages with locale change scripts to make them run.
For more information: https://blog.codinghorror.com/whats-wrong-with-turkey/
Edit: I'm quite fond of the 'k'.
I’m doing lots of CAD work this way, where previously I’d be drawing in rhino but not operating from durable product briefs.
I know I'm a bit weird, but the internet is full of weird people. It seems strange to me that nobody is interested in bitmap fonts these days.
What I really want is a hand anti-aliased bitmap font which prioritizes sharpness.
Hand-hinted by Fabrizio: ”More than 9000 characters optimized from 9pt to 48pt to guarantee the best possible readability.”
It is the ultimate “programmer’s font” and well worth the money for something you stare at every day and the next best thing to a bitmap font in today’s “Retina resolution” world.
Accept no imitations.
⁽¹⁾ https://fsd.it/shop/fonts/pragmatapro/
You can preview working with it with Blink.app for iOS; I’m unaffiliated but satisfied. Comes with PragmataPro preinstalled.
I really like using Cozette - it has great glyph support and a hi-dpi version
https://github.com/the-moonwitch/Cozette
I just wish more editors had support for true bitmap fonts! Turning off anti-aliasing on a bitmap->vector converted font is OK but not quite the same.
* https://jdebp.uk/Softwares/nosh/guide/terminal-resources.htm...
It’s similar to vector icons versus hand-drawn bitmap color icons.
As I got higher DPI monitors, I found it less hassle to use outline fonts, but I still find them preferable - given the option.
Has 7 sizes ranging from 6x10 pixels to 16x30. The larger ones are a bit rubbish. Only covers Latin-1.
LE: Ok, so it's a little more different that JetBrains Mono as this comparison shows https://claude.ai/artifact/HPiALZ7AZ2f5FxSZtcTdNa
That's a really fun tool.
Lower case 'l' even extends above upper case 'G'. it missed with my brain xD
Overall it's really pretty but not a daily driver.
Your comparison says the `m` is 28% different. It's completely different. I don't know what the 28% is supposed to represent (yes, the difference in the area taken, but that's meaningless).
I will not voluntarily look at Comic Sans, but thank you for the recommendation!
https://github.com/shytikov/pragmasevka
The message may be subjective but it strikes me as: "I, the font, contain important data [due to the sharp curvatures and uniform size of letter elements]. Not sure if others think about fonts in this way.
Berkeley Mono's message to me feels like "I'm just doing my job, don't mind me, focus on your thing".
It's a font inspired by older terminals and "no nonsense" hardware of that era. I put its design philosophy as "it's so good that it's invisible". Using it for years now, and it feels natural and neutral.
With Gruvbox dark, it really feels like I'm using an old terminal. Like how I like it.
The same goes for milk, cheese, fish cans, cars, chocolate, movies, and clothes. And books.
I'm happy to report that there is still good milk and cheese out there. Fish is a hit and miss. Belgians still make incredible chocolate, but cars, movies and books have gone downhill.
However, while I'm a pen and paper guy heavily, I love my e-reader.
P.S.: Also, trackballs are much better for many tasks than mice. I'm happy they still make them, and make them well.
I dug some with Gemini. Looks like they did. A couple of references I could find:
- IBM Graphic Design Guide: https://designreviewed.com/artefacts/ibm-graphic-design-guid...
- AFP (for printing any typography, I believe): https://www.ibm.com/docs/en/i/7.6.0?topic=concepts-afp-resou...
- Looks like part of their first font specifications still live in OpenType spec: https://learn.microsoft.com/en-us/typography/opentype/spec/i...
Wow.
And who isn't?
Squints - m is too weird - tab closed :)
Bitch please… https://github.com/rbanffy/3270font.
https://github.com/tywr/Nordwand-Mono/blob/main/src/glyphs/n...
> A doghnut: a snack for hungry people, and adventurers
My main concern is that the tall glyphs for less than < and greater than > will disambiguate badly with actual Unicode left 〈 and right angle brackets 〉.
Edit: I also realised just now the ASCII hyphen-minus - is quite long with this typeface, which makes it ambiguous with the longer dashes. (It looks freakin' great in pure ASCII environments, though!)
[1]: https://usgraphics.com/products/berkeley-mono
I will never understand people who expect fonts for free. They don't grow on trees. Font development is extremely involved, and I am happy to die on this particular elitist hill: the overwhelming majority of free fonts are absolutely rubbish, including the Liberation family, which is available by default on most Linux distros.
Any font that is free and is still reasonably good is almost certainly designed by a type foundry for a megacorp's branding and user interface (so, things like SF Pro, Segoe UI, Open/Noto Sans, Roboto, JetBrains Mono, IBM Plex, Source Sans, Fira Sans, Inter, etc), or are historic properties of the type foundries themselves, like Garamond, Helvetica, Didot, Minion, etc.
ASCII isn't the only set of characters. Just the LGK (Latin, Greek, Cyrillic) set of glyphs alone including combining marks, diacritics, contextual alternates and ligatures alone amount to several thousand glyphs, each of which has to be individually tuned for different weights, hinted for different display resolutions, hinted for RGB/BGR subpixel rendering, and more.
This goes double for any contractor who can just write it down as business expense.
https://github.com/ahatem/IoskeleyMono
(although I'll keep using Fira)
As one YouTuber said: it's the first time we can create (somewhat) coherent, context dependent and new content using something else than other humans.
I can't say I'm too keen on wading through piles of crap, I'm also not keen on the AI bubble and its popping nor on AI's impact on employment, but if we survive all of this, we might end up with a lot of new stuff that could actually be good. 1% of this garbage will be good, but since the entire pile will be so large, that 1% might double or more our options in various fields.
https://www.typography.com/blog/introducing-operator
Having aging eyes, I wish monospace fonts made 8 and 0 (zero) more different from each other. I notice that I have started to confuse those two glyphs when in small sizes.
I like that, I usually have ligatures turned off, because I don't like all of them, especially the ones for == or ===. (Otoh I do like != ligatures...) but I do like the arrows.
This is probably were somebody tells me how easy it is to configure singular ligatures on a font and I'll facepalm in embarrassment for never finding out.
I hate all of them with a passion, because they look like a glyph (i.e. "something you can erase with a single backspace") but aren't. This confuses me first, and annoys me second. "Just because we could" doesn't mean that we should.
Imagine having to use Backspace twice to erase e.g. Ö or Ñ, or being able to place your cursor halfway inside Æ.
[1] https://github.com/fontforge/fontforge
Pdf preview doesn't work on GitHub.
I see repeated posts on various fonts these days and I would like to try them.
Is manual installation the only option?
Turns out it has smart kerning, ie. character positions are subtly adjusted to compensate for different character widths. For example, i is narrow and m is wide. That causes words like "commit" to look bad in standard monospace fonts. The m's in the middle are very densely spaced and there are wide gaps around the i.
I'll be testing Commit Mono in my editors. Maybe it will even make me switch SilverBullet back to a monospace config.
(Elle Cordova is incredibly talented)